Ana Jurić Ban Jelačić Square, Zagreb
Part One
The central square of Zagreb, where the narrator runs errands in an ordinary summer that is about to end. In 1991 the wider war reaches the capital as air-raid sirens and rationing, and the crowded main square becomes a place to read the mood of a city bracing for the fighting to the south and east. The square is real and remains the heart of the city.
Part One
explicit Named in the book.
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Ana Jurić The Jurić family's flat, Zagreb
Part One
The apartment where the narrator lives with her parents and infant sister. As the war closes in, family life narrows to blackout windows, trips to a basement shelter when the sirens sound, and the strain of a baby who is seriously ill. The flat is the fixed point the rest of the book keeps returning to in memory.
Part One
inferred The novel does not give the flat a street address; it sits in a residential part of central Zagreb. Sited at a representative point in the lower town, near the centre the book describes.
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Ana Jurić The children's hospital, Zagreb
Part One
The narrator's baby sister is gravely ill, and the search for care she cannot get in a country at war drives much of the first part. Zagreb's children's hospital stands in for the medical world the family moves through before a humanitarian scheme sends the baby abroad for treatment, the arrangement that puts the parents on the road south.
Part One
inferred The hospital where the sick baby is treated is not named. Sited at Zagreb's children's hospital on Klaićeva, the central paediatric hospital for the country and the plausible real setting for the scenes.
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Ana Jurić The countryside near the Bosnian border
Part One
On the drive home the family is stopped at a paramilitary roadblock in the countryside near the border and taken to a field, where the parents and other captured civilians are shot into a mass grave. The child survives by falling among the bodies and playing dead, then escaping into the woods. The scene is the book's centre of gravity, and it renders the documented pattern of wartime executions in the border zone factually rather than sensationally.
Part One
inferred The site of the atrocity is not mapped to a named village. Sited in the war-front countryside along the Una, the Croatia–Bosnia border region around Hrvatska Kostajnica that saw such killings, as a representative point.
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