The Concord of Little Women

The book never names the March sisters' town, but Alcott wrote it into her own: Concord, Massachusetts, and her family home on Lexington Road. The old brown March house is drawn from Orchard House, where Alcott lived and wrote and which is now a museum; the stately stone Laurence mansion next door is drawn from the real house over the hedge; and the country-like suburb, its groves and quiet streets, is the Concord of the Alcotts, Emerson and Thoreau. Amy's later tour of Nice and Switzerland is a real excursion abroad. It brings Louisa May Alcott into the atlas.

Author
Louisa May Alcott, 1868
Places
6
Accent colour
“pleasant green meadow”

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Chapter 1, Playing Pilgrims0% in
Jo March

The March house (Orchard House), Concord

Chapter 1, Playing Pilgrims · 0% through the novel

Map of The March house (Orchard House), Concord today
Concord today
The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly, “We haven’t got Father, and shall not have him for a long time.”

The novel opens on the four sisters round the hearth, poor but together, the winter their father is away at the war. The scene is invented, but Alcott built it on the house she knew best, the brown clapboard Orchard House in Concord where she lived and wrote the book.

inspired byThe book never names the town, and the March parlour is a fiction, but Alcott drew the poor, contented March household from her own family and set it on her real home. Orchard House on Lexington Road, where she wrote Little Women, is now a museum; the pin marks it.

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Chapter 5, Being Neighborly9% in
Jo March

The town of Concord

Chapter 5, Being Neighborly · 9% through the novel

Map of The town of Concord today
Concord today
Now, the garden separated the Marches’ house from that of Mr. Laurence. Both stood in a suburb of the city, which was still country-like, with groves and lawns, large gardens, and quiet streets.

The March and Laurence houses sit side by side in a half-rural suburb, groves and lawns and quiet streets running out to open country. Alcott is describing Concord, the small Massachusetts town where she wrote the book and where her neighbours included Emerson and Thoreau.

inspired byAlcott calls the setting only 'the city' and its suburb; she never writes 'Concord'. But the country-like town of groves and quiet streets is the Concord she lived in, home also to Emerson and Thoreau. The pin marks the town centre at Monument Square.

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Jo March

The Laurence house next door

Chapter 5, Being Neighborly · 9% through the novel

Map of The Laurence house next door today
Concord today
To Jo’s lively fancy, this fine house seemed a kind of enchanted palace, full of splendors and delights which no one enjoyed.

Across a low hedge from the shabby March house stands the stately stone Laurence mansion, which Jo dreams of as an enchanted palace and where she will befriend the lonely boy Laurie. Alcott drew it from the real house next door to her own Concord home.

inspired byThe Laurence mansion is Alcott's invention, but she placed it exactly where a real house stood, over the hedge from Orchard House. The pin marks the neighbouring lot; the coordinate is approximate, next to the verified Orchard House site.

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Chapter 6, Beth Finds the Palace Beautiful12% in
Beth March

The Laurence drawing room (Beth and the piano)

Chapter 6, Beth Finds the Palace Beautiful · 12% through the novel

Map of The Laurence drawing room (Beth and the piano) today
Concord today
Next day, having seen both the old and young gentleman out of the house, Beth, after two or three retreats, fairly got in at the side door, and made her way as noiselessly as any mouse to the drawing room where her idol stood.

Shy Beth slips into the Laurence mansion to touch the grand piano, and old Mr. Laurence, listening at his study door, quietly gives it to her. The scene of the timid sister and the lonely old man is the emotional heart of the neighbourly friendship between the two houses.

inspired byThe great drawing room and its piano are fiction, set inside the invented Laurence mansion; the mansion in turn stands on the real house next door to Orchard House. The coordinate is approximate, at the neighbouring lot.

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Chapter 37, New Impressions76% in
Amy March

Nice, the Promenade des Anglais (Amy abroad)

Chapter 37, New Impressions · 76% through the novel

Map of Nice, the Promenade des Anglais (Amy abroad) today
Concord today
At three o’clock in the afternoon, all the fashionable world at Nice may be seen on the Promenade des Anglais—a charming place, for the wide walk, bordered with palms, flowers, and tropical shrubs, is bounded on one side by the sea, on the other by the grand drive, lined with hotels and villas, while beyond lie orange orchards and the hills.

Amy, touring Europe with Aunt Carrol, winters at Nice on the Riviera, promenading among the palms and the fashionable crowd where Laurie comes to court her. Alcott, who had travelled abroad as a companion, wrote the real Promenade des Anglais from life.

explicitNice is named in the text and lies on the French Riviera, some 6,000 km from Concord, so it is flagged as an excursion beyond the book's New England setting. The pin marks the Promenade des Anglais Alcott names.

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Chapter 39, Lazy Laurence82% in
Amy March

Valrosa, above Nice (Amy abroad)

Chapter 39, Lazy Laurence · 82% through the novel

Map of Valrosa, above Nice (Amy abroad) today
Concord today
Valrosa well deserved its name, for in that climate of perpetual summer roses blossomed everywhere.

Amy and Laurie drive out from Nice to Valrosa, a villa smothered in roses above the Mediterranean, where his idle courtship of her comes to a head. Alcott places the rose-valley in the real Riviera hills of olive groves and the white-walled city on its shore.

inspired byValrosa, the rose-covered villa Amy and Laurie drive out to, is Alcott's own naming, set in the hills of roses and olive groves above Nice. The pin marks the Nice hills, an excursion far beyond the book's New England setting; the coordinate is approximate.

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