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McTeague

Polk Street, block by block, above a dental parlour. Norris pins his people to specific corners of the 1890s city and the flats of the East Bay, most of it erased by the 1906 earthquake a few years after he wrote it. The story then flees south and east, out of the setting entirely, to end in Death Valley.

McTeague

The car conductors' coffee-joint, Polk Street

Ch. 1 · 0% through the novel

It was Sunday, and, according to his custom on that day, McTeague took his dinner at two in the afternoon at the car conductors' coffee-joint on Polk Street.

The book opens on McTeague's Sunday routine: the heavy dinner at the car conductors' coffee-joint, the beer, the nap in the operating chair. Norris fixes his dentist to the block before anything happens, and it is here, over these meals with Marcus, that Trina first enters the story.

inferred Polk Street is named throughout; the coffee-joint itself is a working-class fixture Norris invents on the block. The pin marks Polk Street in the residence quarter, near Bush, where its small tradespeople and car men ate.

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McTeague

McTeague's “Dental Parlors,” Polk Street

Ch. 1 · 1% through the novel

When he opened his “Dental Parlors,” he felt that his life was a success, that he could hope for nothing better. In spite of the name, there was but one room. It was a corner room on the second floor over the branch post-office, and faced the street.

The corner bay window over the branch post-office is the spine of the book. McTeague works, eats, and sleeps in the one room, dreaming of the giant gilded tooth he will hang outside it. Losing the licence to practise here is the blow that starts the long slide toward the desert.

inferred Polk Street is explicit, but the exact corner is not. Norris puts the single-room parlour on the second floor over a branch post-office; the pin marks Polk Street near Sacramento, a representative corner of the accommodation street he describes.

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