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The Decameron

The frame of the hundred tales, set in and just outside Florence in the plague year of 1348. The death-dealing pestilence empties the city; seven young ladies meet by chance in the church of Santa Maria Novella and resolve to flee; with three young men they retire two short miles into the hills toward Fiesole, to a villa traditionally identified with Poggio Gherardo; from there they wander to the secluded Valley of the Ladies; and at the end the company returns to Santa Maria Novella, whence it set out. The hundred tales roam all of Europe, but the setting the map fixes is this Florentine frame, the ground of the greatest book of the Italian Middle Ages.

Pampinea

Florence: the Black Death

Introduction: the plague · 2% through the novel

I say, then, that the years [of the era] of the fruitful Incarnation of the Son of God had attained to the number of one thousand three hundred and forty-eight, when into the notable city of Florence, fair over every other of Italy, there came the death-dealing pestilence, which, through the operation of the heavenly bodies or of our own iniquitous dealings, being sent down upon mankind for our correction by the just wrath of God, had some years before appeared in the parts of the East and after having bereft these latter of an innumerable number of inhabitants, extending without cease from one place to another, had now unhappily spread towards the West.

Boccaccio opens the frame with the plague of 1348 loose in Florence, the fairest of Italian cities, and gives one of the great eyewitness accounts of the Black Death: the plague-boils, the abandoned dead, the collapse of law and kinship. It is the ground the whole book flees from.

explicit Named directly in the text.

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