The narrator The family's house, Ballygunge
Going Away
The narrator grows up in a comfortable Calcutta house that his cousins measure themselves against, the fixed point his memory keeps returning to. Ballygunge, a genteel residential quarter of south Calcutta, is the kind of neighbourhood the family belongs to.
Part One, Going Away
inspired by The novel gives the narrator's family a house in south Calcutta but no street address. Ballygunge, the settled middle-class quarter it reads as, is a real district; sited at its centre as the model, not a located building.
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The narrator Gole Park
Going Away
Gole Park is one of the everyday Calcutta landmarks that fixes the narrator's childhood world to a real map, a busy roundabout at the edge of his family's part of the city. Ghosh uses such named corners to root a story that otherwise ranges across continents.
Part One, Going Away
explicit Ghosh names Gole Park; this marks the real traffic circle at the Gariahat and Southern Avenue junction that gives the neighbourhood its name.
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The narrator The lake, Rabindra Sarobar
Going Away
The wooded lake a short walk from the family's quarter is a place of childhood errands and adolescent talk, part of the ordinary Calcutta geography the narrator sets against the far cities of his memory. Long called Dhakuria Lake, it was renamed Rabindra Sarobar for the poet Tagore.
Part One, Going Away
explicit The lake the narrator walks by is the artificial lake of south Calcutta, known as Dhakuria Lake and renamed Rabindra Sarobar; sited at the lake's centre.
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The narrator The Prices' house, Lymington Road
Going Away
In London the narrator's memory settles on the Prices' home on Lymington Road in West Hampstead, the English family whose lives are bound to his own across a generation and a war. The street is real; the house and the family are Ghosh's, a second fixed point to set against Calcutta.
Part One, Going Away
inspired by Outside the Calcutta setting. Ghosh names Lymington Road in West Hampstead, a real street, but the Prices' house is invented; sited on the street as its model rather than a specific number.
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